影片简介
专辑介绍：
Beauty Op.66 2012 2SACD
Stereo/Multichannel Hybrid 2SACD
Classical – Orchestral
Tchaikovsky: The Sleeping Beauty, Op. 66
James Ehnes (violin)
Robert deMaine (cello)
Bergen Philharmonic Orchestra
Neeme J?rvi
This two-album set marks the beginning of a new project devoted to Tchaikovsky’s ballet scores. We start the survey with the complete score of The Sleeping Beauty, recorded on SACD. Swan Lake and The Nutcracker will follow in 2013 and 2014, respectively.
Tchaikovsky was approached by the Director of the Imperial Theatres in St Petersburg, Ivan Vsevolozhsky, in 1888 about a possible ballet adaptation of Charles Perrault’s La Belle au bois dormant (The Sleeping Beauty). The vision was to stage the production in the style of Louis XIV, allowing the musical fantasy to run high and melodies to be written in the spirit of Lully, Bach, and Rameau. This proposal for a fairy-tale ballet rooted firmly in both the rococo and baroque periods appealed to Tchaikovsky, and The Sleeping Beauty was premiered in 1890, with choreography by Petipa, the principal choreographer of his day.
Elaborately constructed, the ballet places its focus undeniably on the two main conflicting forces of good (the Lilac Fairy) and evil (Carabosse). Each has a representative leitmotif, which runs through the entire ballet, serving as an important thread to the underlying plot. Tchaikovsky’s use of what, at the time, were considered new and unorthodox instrumental combinations went on to inspire a new generation of composers, among them Stravinsky, who declared The Sleeping Beauty to be Tchaikovsky’s chef d’?uvre.
The Sleeping Beauty is here performed by the Bergen Philharmonic Orchestra under Neeme J?rvi, who is celebrating two major milestones this year: a thirty-year recording career with Chandos Records, and his own seventy-fifth birthday. Orchestra and conductor are joined by the pre-eminent violinist James Ehnes, one of the most dynamic and exciting performers in classical music today.
专辑曲目:
CD1
01. Introduction
[全屏欣赏]
02. Prologue. No. 1. Marche
03. Prologue. No. 2. Scene Dansante
04. Prologue. No. 3. Pas de Six. a). Introduction
05. Prologue. No. 3. Pas de Six. b) Adagio - Allegro vivo
06. Prologue. No. 3. Pas de Six. b) Variation 1. Candide
07. Prologue. No. 3. Pas de Six. b) Variation 2. Coulante.
08. Prologue. No. 3. Pas de Six. b) Variation 3. Feaux Miettes
09. Prologue. No. 3. Pas de Six. b) Variation 4. Canari qui chante
10. Prologue. No. 3. Pas de Six. b) Variation 5. Violente
11. Prologue. No. 3. Pas de Six. b) Variation 6. Le Fedes Lilas
12. Prologue. No. 3. Pas de Six. b) Coda
13. Prologue. No. 4. Finale
14. Act I. No. 5. Scene
15. Act I. No. 6. Valse
16. Act I. No. 7. Scene
17. Act I. No. 8. Pas d’Action. a) Adagio
18. Act I. No. 8. Pas d’Action. b) Danse des demoiselles...
19. Act I. No. 8. Pas d’Action. c) Variation d’Aurore
20. Act I. No. 8. Pas d’Action. d) Coda
21. Act I. No. 9. Finale
22. Act II, 1st Tableau. No. 10. Entr’acte et Scene
23. Act II, 1st Tableau. No. 11. Colin-Maillard
24. Act II, 1st Tableau. No. 12. a) Scene
25. Act II, 1st Tableau. No. 12. b) Danse des duchesses
26. Act II, 1st Tableau. No. 12. c) Danse des baronnes
27. Act II, 1st Tableau. No. 12. d) Danse des comtesses
28. Act II, 1st Tableau. No. 12. e) Danse des marquises
29. Act II, 1st Tableau. No. 13. Farandole. a) Scene
30. Act II, 1st Tableau. No. 13. Farandole. b) Danse
CD2
01. Introduction
02. Prologue. No. 1. Marche
03. Prologue. No. 2. Scene Dansante
04. Prologue. No. 3. Pas de Six. a). Introduction
05. Prologue. No. 3. Pas de Six. b) Adagio - Allegro vivo
06. Prologue. No. 3. Pas de Six. b) Variation 1. Candide
07. Prologue. No. 3. Pas de Six. b) Variation 2. Coulante.
08. Prologue. No. 3. Pas de Six. b) Variation 3. Feaux Miettes
09. Prologue. No. 3. Pas de Six. b) Variation 4. Canari qui chante
10. Prologue. No. 3. Pas de Six. b) Variation 5. Violente
11. Prologue. No. 3. Pas de Six. b) Variation 6. Le Fedes Lilas
12. Prologue. No. 3. Pas de Six. b) Coda
13. Prologue. No. 4. Finale
14. Act I. No. 5. Scene
15. Act I. No. 6. Valse
16. Act I. No. 7. Scene
17. Act I. No. 8. Pas d’Action. a) Adagio
18. Act I. No. 8. Pas d’Action. b) Danse des demoiselles...
19. Act I. No. 8. Pas d’Action. c) Variation d’Aurore
20. Act I. No. 8. Pas d’Action. d) Coda
21. Act I. No. 9. Finale
22. Act II, 1st Tableau. No. 10. Entr’acte et Scene
23. Act II, 1st Tableau. No. 11. Colin-Maillard
24. Act II, 1st Tableau. No. 12. a) Scene
25. Act II, 1st Tableau. No. 12. b) Danse des duchesses
26. Act II, 1st Tableau. No. 12. c) Danse des baronnes
27. Act II, 1st Tableau. No. 12. d) Danse des comtesses
28. Act II, 1st Tableau. No. 12. e) Danse des marquises
29. Act II, 1st Tableau. No. 13. Farandole. a) Scene
30. Act II, 1st Tableau. No. 13. Farandole. b) Danse
Beauty Op.66 2012 2SACD
Stereo/Multichannel Hybrid 2SACD
Classical – Orchestral
Tchaikovsky: The Sleeping Beauty, Op. 66
James Ehnes (violin)
Robert deMaine (cello)
Bergen Philharmonic Orchestra
Neeme J?rvi
This two-album set marks the beginning of a new project devoted to Tchaikovsky’s ballet scores. We start the survey with the complete score of The Sleeping Beauty, recorded on SACD. Swan Lake and The Nutcracker will follow in 2013 and 2014, respectively.
Tchaikovsky was approached by the Director of the Imperial Theatres in St Petersburg, Ivan Vsevolozhsky, in 1888 about a possible ballet adaptation of Charles Perrault’s La Belle au bois dormant (The Sleeping Beauty). The vision was to stage the production in the style of Louis XIV, allowing the musical fantasy to run high and melodies to be written in the spirit of Lully, Bach, and Rameau. This proposal for a fairy-tale ballet rooted firmly in both the rococo and baroque periods appealed to Tchaikovsky, and The Sleeping Beauty was premiered in 1890, with choreography by Petipa, the principal choreographer of his day.
Elaborately constructed, the ballet places its focus undeniably on the two main conflicting forces of good (the Lilac Fairy) and evil (Carabosse). Each has a representative leitmotif, which runs through the entire ballet, serving as an important thread to the underlying plot. Tchaikovsky’s use of what, at the time, were considered new and unorthodox instrumental combinations went on to inspire a new generation of composers, among them Stravinsky, who declared The Sleeping Beauty to be Tchaikovsky’s chef d’?uvre.
The Sleeping Beauty is here performed by the Bergen Philharmonic Orchestra under Neeme J?rvi, who is celebrating two major milestones this year: a thirty-year recording career with Chandos Records, and his own seventy-fifth birthday. Orchestra and conductor are joined by the pre-eminent violinist James Ehnes, one of the most dynamic and exciting performers in classical music today.
专辑曲目:
CD1
01. Introduction
[全屏欣赏]
02. Prologue. No. 1. Marche
03. Prologue. No. 2. Scene Dansante
04. Prologue. No. 3. Pas de Six. a). Introduction
05. Prologue. No. 3. Pas de Six. b) Adagio - Allegro vivo
06. Prologue. No. 3. Pas de Six. b) Variation 1. Candide
07. Prologue. No. 3. Pas de Six. b) Variation 2. Coulante.
08. Prologue. No. 3. Pas de Six. b) Variation 3. Feaux Miettes
09. Prologue. No. 3. Pas de Six. b) Variation 4. Canari qui chante
10. Prologue. No. 3. Pas de Six. b) Variation 5. Violente
11. Prologue. No. 3. Pas de Six. b) Variation 6. Le Fedes Lilas
12. Prologue. No. 3. Pas de Six. b) Coda
13. Prologue. No. 4. Finale
14. Act I. No. 5. Scene
15. Act I. No. 6. Valse
16. Act I. No. 7. Scene
17. Act I. No. 8. Pas d’Action. a) Adagio
18. Act I. No. 8. Pas d’Action. b) Danse des demoiselles...
19. Act I. No. 8. Pas d’Action. c) Variation d’Aurore
20. Act I. No. 8. Pas d’Action. d) Coda
21. Act I. No. 9. Finale
22. Act II, 1st Tableau. No. 10. Entr’acte et Scene
23. Act II, 1st Tableau. No. 11. Colin-Maillard
24. Act II, 1st Tableau. No. 12. a) Scene
25. Act II, 1st Tableau. No. 12. b) Danse des duchesses
26. Act II, 1st Tableau. No. 12. c) Danse des baronnes
27. Act II, 1st Tableau. No. 12. d) Danse des comtesses
28. Act II, 1st Tableau. No. 12. e) Danse des marquises
29. Act II, 1st Tableau. No. 13. Farandole. a) Scene
30. Act II, 1st Tableau. No. 13. Farandole. b) Danse
CD2
01. Introduction
02. Prologue. No. 1. Marche
03. Prologue. No. 2. Scene Dansante
04. Prologue. No. 3. Pas de Six. a). Introduction
05. Prologue. No. 3. Pas de Six. b) Adagio - Allegro vivo
06. Prologue. No. 3. Pas de Six. b) Variation 1. Candide
07. Prologue. No. 3. Pas de Six. b) Variation 2. Coulante.
08. Prologue. No. 3. Pas de Six. b) Variation 3. Feaux Miettes
09. Prologue. No. 3. Pas de Six. b) Variation 4. Canari qui chante
10. Prologue. No. 3. Pas de Six. b) Variation 5. Violente
11. Prologue. No. 3. Pas de Six. b) Variation 6. Le Fedes Lilas
12. Prologue. No. 3. Pas de Six. b) Coda
13. Prologue. No. 4. Finale
14. Act I. No. 5. Scene
15. Act I. No. 6. Valse
16. Act I. No. 7. Scene
17. Act I. No. 8. Pas d’Action. a) Adagio
18. Act I. No. 8. Pas d’Action. b) Danse des demoiselles...
19. Act I. No. 8. Pas d’Action. c) Variation d’Aurore
20. Act I. No. 8. Pas d’Action. d) Coda
21. Act I. No. 9. Finale
22. Act II, 1st Tableau. No. 10. Entr’acte et Scene
23. Act II, 1st Tableau. No. 11. Colin-Maillard
24. Act II, 1st Tableau. No. 12. a) Scene
25. Act II, 1st Tableau. No. 12. b) Danse des duchesses
26. Act II, 1st Tableau. No. 12. c) Danse des baronnes
27. Act II, 1st Tableau. No. 12. d) Danse des comtesses
28. Act II, 1st Tableau. No. 12. e) Danse des marquises
29. Act II, 1st Tableau. No. 13. Farandole. a) Scene
30. Act II, 1st Tableau. No. 13. Farandole. b) Danse
